Effective Green Screen Gear You Can Buy Inexpensively
Wanted to show-off a bit with some new gear. I’ve been doing a bunch of tech-coaching for a guy I know and helping him with his website and, along with other client connections, I’ve increasingly been on webinars, online meetings, and Skype group calls. I was sick and tired of my crappy looking video, so I bought a green screen, some lights, and after a lot of goofing around to figure stuff out, it’s all up-and-running and working flawlessly.
For effective green screen video one needs good lighting and, most importantly, a high resolution camera. Unfortunately webcams don’t work (even though so many people insist they do), green-fringing is startling obvious when I’m superimposed over some image or video, so I invested a bunch of time in figuring out how to use my Nikon D500 DSLR as a very expensive webcam!
Here is my set up:
- Nikon D500 DSLR set in Live View with tweaked settings so it doesn’t automatically shut off after 10 minutes! With my lens, this is a $4,000 camera. If you do not have a good resolution camera, then a good mirrorless or DSLR model will set you back $1,000 – $3,000 or so.
- LED Lighting kit = $300 (at Amazon) These LEDs are very flexible. They are bi-color variable with a temperature range of 2300K – 6800K so it is easy to warm up or cool down the color temperature of the light. It also has a brightness range of 10~100%. Pretty dang good for cheap lights!
- Soft boxes for those lights = $80 (at Amazon) I had to have diffusing for these lights as they were just a bit harsh when maxed out in brightness.
- Elgato Green Screen = $160 (at Amazon) Though I’d like one a bit wider, this is the most perfect product of its type I’ve seen yet.
- Blue Raspberry microphone = $220 I own this one since it also works with iPhone and iPad.
Though I already had the camera and microphone, for just under $600 I added good quality green screen video capability. (NOTE: In the photos below you’ll notice a RODE microphone on top of my Nikon D500. I only use that when recording video in to the camera’s storage, usually for remote set ups).